Contrapuntal technique in the sixteenth century

by Morris, R. O.

Publisher: The Clarendon Press in Oxford

Written in English
Published: Pages: 74 Downloads: 30
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Subjects:

  • Counterpoint.

Edition Notes

Statementby R.O. Morris.
Classifications
LC ClassificationsML446 .M67 1934
The Physical Object
Paginationxi, 74, 49 p.
Number of Pages74
ID Numbers
Open LibraryOL6321560M
LC Control Number35011196
OCLC/WorldCa856076

The Teaching of Counterpoint By ARTHUR HUTCHINGS either to imitate sixteenth-century stuff or to write applied counterpoint, and I preferred the require contrapuntal technique with modern tonality you must allow the student licence to disregard modal and diatonic rules of movement. The Style of Palestrina and the Dissonance book. Read reviews from world’s largest community for readers. the revered sixteenth-century composer known as Palestrina wrote works that served for centuries as models of counterpoint. Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work /5(10). The greatest Renaissance creator of liturgical music, the revered sixteenth-century composer known as Palestrina wrote works that served for centuries as models of counterpoint. Until The Style of Palestrina and the Dissonance, theoreticians seldo. Is it heretical to suggest that the methods by which the great contrapuntists of the fifteenth and sixteenth centuries learned to compose might be as effective as that originated by Fux in ? The proof of the validity of Fux’s system should lie in the great contrapuntal music written by .

The heart of the book presents a modern empirical treatment of dissonance. Palestrina's contrapuntal technique forged new harmonic devices, placing dissonance on unaccented beats and highlighting text in very unorthodox ways for his time. These new uses of dissonance and resolution are explored in meticulous detail/5(2). Giovanni Pierluigi da Palestrina (3 February or 2 February – 2 February ) [1] was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. [2] He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony. Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. His fascination with Gesualdo's contrapuntal technique and highly chromatic style resulted in Stravinsky's completion of some of his motets and eventually the "recomposition" of three madrigals as Monumentum pro Gesualdo: two from the fifth book, "Asciugate i begli occhi" and "Ma tu, cagion di quella" (the seconda parteof Poiché l'avida sete Author: Massimo Ossi.

contrapuntal writing from the sixteenth century, and pitch-class set2 manipulation from the twentieth century. A-Bu-GE also incorporates significant ideas from Eastern and Western theories, musical techniques from previous centuries, and novel combinations of timbres and textures. Numbers in MusicAuthor: Chol-Ho Kim. style is more accurately represented as a sixteenth-century art in an treatise by Heinrich Bellermann.7 Similarly, twentieth-century writers Knud Jeppesen and Herbert K. Andrews have produced studies of contrapuntal technique through extensive analysis of Palestrina’s mueck-consulting.com: Michael J. Moore. of approach to sixteenth-century counterpoint the "direct approach,"2 a term that will be used as such by this writer throughout this report. The edition of Books in Print lists ten currently- published textbooks that deal exclusively with modal counterpoint and Reginald 0. Morris, Contrapuntal Technique in the Sixteenth CenturyAuthor: John Peter Senick. Nov 16,  · The greatest Renaissance creator of liturgical music, the revered sixteenth-century composer known as Palestrina wrote works that served for centuries as models of counterpoint. Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer’s work to discover its fundamental elements, including the handling of rhythm, line, and mueck-consulting.coming .

Contrapuntal technique in the sixteenth century by Morris, R. O. Download PDF EPUB FB2

Contrapuntal technique in the sixteenth century. London: Oxford University Press, (OCoLC) Online version: Morris, R.O. (Reginald Owen), Contrapuntal technique in the sixteenth Contrapuntal technique in the sixteenth century book. Oxford, The Clarendon Press, (OCoLC) Document Type: Book: All Authors / Contributors: R O Morris.

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To enhance your reading pleasure1/5(1). Open Library is an initiative of the Internet Archive, a (c)(3) non-profit, building a digital library of Internet sites and other cultural artifacts in digital mueck-consulting.com projects include the Wayback Machine, mueck-consulting.com and mueck-consulting.com Full text of "Contrapuntal technique in the sixteenth century" See other formats.

The 16th-century Venetian theorist Zarlino elaborated on the idea in his influential Le institutioni harmoniche, and it was first presented in a codified form in by Lodovico Zacconi in his Prattica di musica. Zacconi, unlike later theorists, included a few extra contrapuntal techniques, such as.

BAIN MUSC Contrapuntal Techniques. University of South Carolina School of Music BAIN MUSC Book Bibliography on WorldCat.

Alvira, José Rodríguez. Teoria. A Practical Approach to Sixteenth-Century Counterpoint, Revised Edition. Long Grove: IL, Waveland Press. La Biblioteca Laura Manzo es un centro de recursos para el aprendizaje, la docencia, investigación, extensión, formación continua y actividades relacionadas con el funcionamiento y gestión de la Universidad Nacional de Quilmes, en su mueck-consulting.com de uso público y gratuito.

In music, a fugue (/ f juː ɡ /) is a contrapuntal compositional technique in two or more voices, built on a Contrapuntal technique in the sixteenth century book (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.

It is not to be confused with a fuguing tune, which is a style of song popularized by and mostly limited to early. Mar 04,  · A Practical Approach to 16th Century Counterpoint: Revised Edition - Ebook written by Robert Gauldin. Read this book using Google Play Books app on your PC, android, iOS devices.

Download for offline reading, highlight, bookmark or take notes while you read A Practical Approach to 16th Century Counterpoint: Revised mueck-consulting.com: Robert Gauldin. CHAPTER 1. OUTLINE HISTORY OF CONTRAPUNTAL THEORY. THE WORD counterpoint presumably originated in the beginning of the fourteenth century and was derived from punctus contra punc-tum, "point against point" or "note against note.".

COUNTERPOINT AND HARMONY CONTRASTED. When we use this expression today, we have a much more concrete, well-defined Author: Knud Jeppesen.

Jan 15,  · A Practical Approach to Sixteenth-Century Counterpoint book. Read reviews from world’s largest community for readers.

Practical work in writing counterpo /5(16). Contrapuntal Technique in the Sixteenth Century Alt ernative. Title Composer Morris, Reginald Owen: I-Catalogue Number I-Cat.

None [force assignment] First Pub lication. Language English Dedication Percy Carter Buck Composer Time Period Comp.

Giovanni Pierluigi da Palestrina (c. – 2 February ) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work is considered as the culmination of Renaissance polyphony.

If the technique of strict Counterpoint be deduced from the practice of the sixteenth century, it is only logical to employ the scalic system of that period. Fux used the modal system, and it should be restored.

The atmosphere of sixteenth-century music cannot be obtained without using the modes. Sep 10,  · Discover Book Depository's huge selection of Reginald O Morris books online.

Free delivery worldwide on over 20 million titles. Contrapuntal Technique in the Sixteenth Century. R O (Reginald Owen) Morris. 10 Sep Hardback. US$ Contrapuntal Technique in the Sixteenth Century.

Reginald O Morris. 01 May Paperback. Apr 27,  · One sees at once that Zarlino, whose work first appeared indeals principally with the practice of the Netherland composers as it developed during the first half of the sixteenth century in Italy, and that he does not present the actual set of rules of the Palestrina style.

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century. Basic contrapuntal techniques Book Summary: A revision of the classic edition exploring counterpoint techniques beyond the stylistic base of the baroque tradition.

This practical page book contains a glossary of terms, a bibliography for further study, and a subject index. The manner of setting Lutheran chorales in cantational style (melody in the top voice, accompanied by block chords and little contrapuntal figuration) began Select one: a.

in the late sixteenth century. during the life of Martin Luther. during the life of Johann Sebastian Bach. in the late seventeenth century. A Practical Approach to Sixteenth-Century Counterpoint. Robert Gauldin A Practical Approach to Sixteenth-Century Counterpoint Robert Gauldin Practical work in writing counterpoint.

Robert Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this.

Practical work in writing counterpoint. This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period.

Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the. Practical work in writing counterpoint.

Robert Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach/5(8).

*Prices in US$ apply to orders placed in the Americas only. Prices in GBP apply to orders placed in Great Britain only. Prices in € represent the retail prices valid in Germany (unless otherwise indicated). Mar 04,  · A Practical Approach to 18th Century Counterpoint: Revised Edition - Ebook written by Robert Gauldin.

Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read A Practical Approach to 18th Century Counterpoint: Revised Edition.4/4(1).

A History of Western Music Ch 10 study guide by kate4stubbs includes 39 questions covering vocabulary, terms and more. Quizlet flashcards, activities and games help you improve your grades. The method has little to do with 16th century style - that this is 16th century polyphony is a diversionary story for undergrads in a class with that of George Washington and the Cherry Tree.

There are two main points against it: (1) Species Counterpoint as a method is not a 16th century technique, but a 17th century technique/5(26).

The method has little to do with 16th century style - that this is 16th century polyphony is a diversionary story for undergrads in a class with that of George Washington and the Cherry Tree.

There are two main points against it: (1) Species Counterpoint as a method is not a 16th century technique, but a 17th century technique/5(3). He became famous as an exceptional teacher of counterpoint, and wrote several texts including Introduction to Counterpoint (Oxford ), Contrapuntal Technique in the Sixteenth Century (Oxford, ), Foundations of Practical Harmony and Counterpoint, Volume 1 of The Oxford Harmony (), and The Structure of Music (Oxford, ).

Morris has written: 'Contrapuntal technique in the sixteenth century' -- subject(s): Counterpoint The name comes from the title of Thomas More's sixteenth-century book Utopia, in which. The heart of the book presents a modern empirical treatment of dissonance. Palestrina's contrapuntal technique forged new harmonic devices, placing dissonance on unaccented beats and highlighting text in very unorthodox ways for his time.

These new uses of dissonance and resolution are explored in meticulous detail.Reg Morris. 14 Jun US$ Add to basket. Contrapuntal Technique in the Sixteenth Century.

R O (Reginald Owen) Morris. 10 Sep Hardback. US$ Add to basket. Diary of the Ship's Surgeon. Reginald Gordon Morris Ehlers. 15 Oct Paperback. US$ Add to basket.

Contrapuntal Technique in the Sixteenth Century.popular music from early in the sixteenth century. Certainly when it appears in the tablature prints it is a well-established technique. In the early dance variations two different formal structures are evi dent. In the first, which is associated with the Pavana (and related dances).